Alfonso Cuaron, the brilliant director of "Gravity" and "Children of Men" uses his creative direction yet again to masterfully create one of the most visually stunning and emotionally provocative films in years, "Roma."
It's difficult to describe, as seeing his films is an experience that lies beyond words. Cuaron is one of the most artistic and talented directors working today, and his most recent work on "Roma" reflects everything about the man himself and the world in which he grew up.
Throughout the film, we observe a year in the life of Cleo, a maid in 1970s Mexico City. On her journey, we get to know the family she works for, the setting's political turmoil, and her relationship with a man named Fermin. All of these elements clash, and the story turns into an emotional ride that both lifts -- and devastates -- spirits.
Words cannot fully describe the emotions that "Roma" elicits.
This is a passion project for Cuaron, as the film reflects his own times growing up in Mexico City. Every event in "Roma" truly happened in Cuaron's childhood. Cleo represents the maid he knew as a child, and everything she goes through is true. From the first opening shot to the last, "Roma" feels like a surreal memory taken right from the mind of the director. It's a brilliant work of art that deserves to be watched and studied for years to come.
Cleo is beautifully played by Yalitza Aparicio in her very first acting gig, and during the film's entire runtime, you really feel for her character.
Throughout "Roma," we feel as though we are with these characters, experiencing their lives with them through ever-devastating moments. When a film can successfully bring you into the lives of the characters, it's a masterpiece, and Cuaron's masterpiece deserves to be remembered as a future classic, much like the way we currently consider films like "Gone With the Wind" and "Casablanca."
"Roma" will be released as a Netflix original film this December and will receive a limited theater release. While it is a Netflix film, the film begs to be seen in theaters. The sound design, long camera takes, cinematography, production design, and its use of black-and-white all make "Roma" theater-worthy. Watching it on the small screen will still be great, but seeing it in a theater will give audiences the experience they're meant to have.
"Roma" is, after all, an experience more than a movie.
Usually, at the end of my reviews I add funny tidbits, but for "Roma," as I mentioned earlier, there are no words. All that can really be said is that it needs to be seen when it hits theaters this December.